Archives for posts with tag: audiobook

dad-is-fat     When it comes to audiobooks, the reader makes all the difference. This maxim became crystal clear to me driving past the cornfields of downstate Illinois one hot, summer weekend. I had looked forward to listening to John Steinbeck’s Travels with Charley (in part because I, too, traveled with an evil genius Standard Poodle) only to find myself beaten about the head and shoulders by the narrator’s flat, rock-hard voice. After an hour of aural assault, I had to stop the madness. It took a while to recover from that trip in more ways than one.

Fortunately, Jim Gaffigan came along with an antidote. Known for his self-deprecating, clean humor, comedian Gaffigan is, to put it mildly, a hoot. He is a Midwestern transplant to New York who riffs on everything from convenience food to domestic life to tourists to the Big Apple itself. You may recognize his “Hot Pockets” routine: https://www.youtube.com/watch?v=N-i9GXbptog. (Mimic his “Hot Pockets” call in a full elevator or while standing in line and see what happens. Good times.) Wondering if his standup translated well to publication, I decided to try his book Dad Is Fat. I got lucky when the only available version was the audiobook.

     Dad Is Fat collects chapter after chapter of stories describing Gaffigan’s life in New York sharing space with his wife, Jeannie, and five children in a small, two-bedroom, fifth-floor walkup apartment. Amounting to mini-standup routines, each chapter offers a glimpse into the Gaffigan household while reminding the rest of us of the universal truths of family life such as “there is no difference between a four-year-old eating a taco and throwing a taco on the floor”. Consider toddler safety, for example, “Once your baby starts to walk you’ll realize why cribs are designed like prisons from the early 1900s. This is clearly because toddlers are a danger to themselves…They have two goals: find poison and find something to destroy.”  Gaffigan’s observations are spot on—pointed, drawing a clear image, sometimes with a zinger thrown in—yet they do not spill over into meanness. That is one of the primary reasons I enjoyed Dad Is Fat. Gaffigan does not have to use rancor or to work “blue” to hold his audience; his storytelling ability, wit, and intelligence are more than up to the task.

As a librarian, I got a kick out of his analysis of children’s books, particularly this chestnut, “I’m not sure if Wheels on the Bus started as a book, as a song, or as a torture technique, but it sounds like it was a pretty annoying bus ride.” He also notes the Law of Unintended Consequences as it applies to Harold and the Purple Crayon, “Great book, but where do I send Crockett Johnson the bill for cleaning my walls?” The audiobook version of these book reviews mirrors Gaffigan’s standup delivery. I could picture him onstage with a mic dropping the punch lines found in every paragraph.  His tone and pacing sound on this recording—as in his comedy routines—sound as if a funny neighbor was chatting with me in the driveway. That’s the charm of Jim Gaffigan; he could be your funny neighbor or your friend or the guy from the drop off line at your child’s school. He’s an absolute riot who could be any one of us (and is).

I have a friend who likes to listen to audiobooks narrated by the author; she believes nothing compares to hearing the author’s interpretation of her or his work.  I agree to an extent.  Some authors are not born performers, and their work would be better served by a voice actor say, someone like Jim Dale of Harry Potter audiobook fame. However, this is not the case with Dad Is Fat. If anything, Jim Gaffigan’s reading was so lively it made me wish the book was available in video. Audiobooks are not always my format of choice—print is still my first love—and I’m glad to be pleasantly surprised this time out. Out of curiosity, I read the print version of Dad Is Fat after listening to it. It’s just as funny and has bonus photos illustrating several of the stories. The picture of Gaffigan reading to his children is absolutely charming.

If you’re looking for a fast, funny read (or listen) then look no further. Dad Is Fat by Jim Gaffigan is available from the Joplin Public Library in print format; it is also available in e-book and electronic audiobook formats from the library’s Missouri Libraries to Go service, molib2go.org.

Summer months bring on summer travels for many families. Audiobooks are an excellent way to keep everyone entertained on a road trip, but finding an audiobook that appeals to all ages and genders is a challenge. Below are some of my favorite “family friendly” audiobooks that will appeal to both girls and boys ranging from elementary school through adulthood (unless otherwise noted). Each audiobook has a superb narrator who is skilled at differentiating character voices. Some so much so that they’re like cartoons for your ears.

Peter and the Starcatchers by Dave Barry“Peter and the Starcatchers”

By Dave Barry and Ridley Pearson, Narrated by Jim Dale

Found in Juvenile Fiction

Peter finds himself on a ship (the Never Land) with a trunk of mysterious “starstuff” that gives any who touch it strange powers. He also finds himself among those tasked with protecting the starstuff from the likes of the pirate Black Stache.

This is a fun romp for those familiar with the original “Peter Pan,” but with rich characters, humor and adventures galore, it’s also great fun for those who are meeting Peter for the first time. Jim Dale also reads the “Harry Potter” series which is equally not to be missed on audio.

 

Artemis Fowl by Eoin Colfer“Artemis Fowl”

By Eoin Colfer, Narrated by Nathaniel Parker

Found in Teen Audiobooks

Artemis is a genius working pretty hard on adding “evil” to his genius status. When he discovers fairies are real and they have quite the cash pile, he kidnaps Holly Short (an officer with the LEP Recon) to hold her for ransom. Suddenly, Artemis finds himself facing down the entire fairy world and their extensive arsenal.

This is probably my favorite audio to recommend to new listeners. The characterizations are wonderful, their relationships with each other are complicated and fun, and the action is top notch.

 

The Graveyard Book by Neil Gaiman“The Graveyard Book”

Written and narrated by Neil Gaiman

Found in Juvenile Fiction

As a toddler, Nobody Owens narrowly escaped a murderer and stumbled into a graveyard. There, after much debate of the graveyard denizens, Nobody was adopted, named, and raised by the various ghosts (and creatures) that inhabit graveyards. “The Graveyard Book,” similar to “The Jungle Book” is an account of the many adventures Nobody has during his life in the graveyard.

Parts of this one may be a bit scary for younger readers, but it is well worth the listen. Neil Gaiman makes a surprisingly good narrator.

 

Howl's Moving Castle by Diana Wynne Jones“Howl’s Moving Castle”

By Diana Wynne Jones, Narrated by Jenny Sterlin

Found in Teen Audiobooks

Being the oldest of three girls, Sophie knows she won’t amount to much and is resigned to spend her life working for her step-mother in the family’s hat shop. Unintentionally, Sophie offends the Witch of the Waste who exacts her revenge by turning Sophie into a 90-year-old woman. Knowing things can’t get much worse, Sophie strikes out on her own and finds herself working as the maid for the greatly feared, but perhaps quite handsome, Wizard Howl.

This is a lovely, whimsical story full of fun characters, intrigue and adventure.

 

Sabriel by Garth Nix“Sabriel”

By Garth Nix, Narrated by Tim Curry

Found in Teen Fiction

Life in Ancelstierre is fairly mundane except when the wind comes from the North across the Wall and from the Old Kingdom. Then all technology fails and often, trouble from dead creatures emerges. Sabriel’s father, the Abhorsen, is tasked with preventing the dead from rising and causing trouble for the living. When Sabriel gets a delivery of her father’s tools as the Abhorsen from a dead creature, she knows he has either been killed or is trapped in Death. Thus she begins her journey with a talking cat named Mogget and a dashing but vulnerable young man who calls himself Touchstone across the magical Old Kingdom to find her father.

With some mild blood, guts, and gore as well as undead creatures determined to take over the world, this title is probably best suited for teens. However, Tim Curry is not to be missed as an audiobook narrator, so the younger set might enjoy his readings of “The Series of Unfortunate Events” by Lemony Snicket.

This is the story of two revolutions—an internal one for modern day Brooklyn teenager Andi and the French one for eighteenth-century Parisian teenager Alex.

Andi’s younger brother died two years ago and she is still having a hard time processing her feelings.  Her rage and grief are threatening to destroy her.  In fact, the only thing keeping her afloat is her passion for music, specifically playing the guitar.  Her much absent father notices her downward spiral, intervenes, and forces Andi to take a trip to Paris with him.  While there, her Pulitzer prize-winning geneticist father plans to perform DNA testing on a two hundred year old heart.  He intends to prove that the heart belonged to Louis-Charles, the son of King Louis XVI and Marie Antoinette.  Andi’s job while in Paris is to work on the outline for her senior thesis.

During the trip, Andi discovers a hidden diary locked away in a two hundred year old guitar case and she begins to read the story of Alex, a teenage street-actor who lived during the French Revolution.  It is through Alex’s eyes that the doomed-prince Louis-Charles comes alive and with it the realization that while the world may be stupid and brutal, there is much more to be gleaned from life.

The audiobook narrators, Emily Janice Card (Orson Scott Card’s daughter) and Emma Bering, were superb.  It was especially satisfying to hear the French words and names pronounced correctly.  While a fantastical twist toward the end might leave listeners questioning the author’s choices, it is hard to deny that Jennifer Donnelly is a master storyteller.  Her melding of believable characters and a riveting, history-based storyline make for a highly-recommended historical fiction drama.