Archives for posts with tag: Beth Snow

AsYouWishPrincessBrideDeluxeEdToday’s featured titles come courtesy of the library’s High School Book Club.  At their last meeting, these awesome folks opted to read books which had been made into movies.  Their inspiration led me to a book which spawned a modern classic film then right to a book about the making of the film itself.

Chances are extremely high that you’ve seen Rob Reiner’s movie, The Princess Bride or, if you have not, that you have heard (or have quoted) a line from it.  (You haven’t?  Inconceivable!  Find a DVD and watch it now.  Enjoy amazing storytelling.  Borrow a copy from the library, a friend, a neighbor.  No excuses.)

But, have you read the book?  Yes, it’s a real book—not merely a narrative frame featuring Peter Falk.  Penned by Oscar-winning screenwriter William Goldman, the book version of The Princess Bride presumes its source material from the “great Florinese writer”, S. Morgenstern, teller of captivating tales.  “What’s it about?” you ask.  What’s in it?  “Fencing.  Fighting.  Torture.  Poison.  True Love.  Hate.  Revenge.  Giants.  Hunters.  Bad men. Good men.  Beautifulest Ladies.  Snakes.  Spiders.  Beasts of all natures and descriptions.  Pain.  Death.  Brave men.  Coward men.  Strongest men.  Chases.  Escapes.  Lies.  Truths.  Passion.  Miracles.”  Swashbuckling romance at its finest!

This is both a love letter to and a charming poke at classic tales of lands far away where true love blossoms amid the fight between Good and Evil.  Let’s not take valuable time with additional plot details.  Instead, think on this.  Whatever charm, wit, adventure, delight, satire, romance, truths, and great lines you may have found in the movie, you will find multiplied beyond compare in the book.  Goldman is a master storyteller on screen and in print.

In short, read it for goodness’ sake!  Or listen to it.  Lots of editions to choose from—for extra fun, try one with the introductions to the 25th anniversary and the 30th anniversary editions.  The library has a lovely illustrated version with all manner of maps and drawings.  The audiobook narrated by Rob Reiner is entertaining, rather like being read a bedtime story by your New York-accented dad.

Reiner and William Goldman created magic both on the page and on the movie set according to actor Cary Elwes in his book, As You Wish: Inconceivable Tales From the Making of the Princess Bride.  Elwes, who played Westley in the film, offers an entertaining, behind-the-scenes glimpse of movie making from audition to premiere.  In some ways a typical Hollywood memoir, he moves beyond potential pitfalls and captures with delight the camaraderie that brought Goldman’s script to life.

Elwes’ self-effacing charm permeates the book.  His witty, respectful storytelling is generous and interesting.  Throughout As You Wish, he has sprinkled sidebars from other big names with the film—memories, stories, impressions from their points of view which round out the tale.  Give the book a try.  Better yet, listen to the audiobook.  Cary Elwes reads it, and his smooth, conversational delivery sounds like a friendly chat.  He is also an accomplished mimic, reading quotes from Reiner and the late Andre the Giant in voices you would swear were theirs.  Fans of The Princess Bride and movie buffs alike will enjoy either format.

The library’s Teen Department sponsors two book clubs which meet most months of the year.  Both groups are teen-driven; participants decide on a theme for the month then choose their own title that fits the theme.  Everyone may read a different book, but that’s what makes it fun!  At book club, we rant and rave and chat about our selections in addition to enjoying a dessert.  Both groups are free; neither require registration.

Middle School Book Club is open to grades 6-8.  Its next installment will be held from 6:00-7:00 pm, Monday, April 2, in Community Room East at the library.  Percy Jackson fans get ready because we’re reading books by Rick Riordan!

High School Book Club is open to grades 9-12 and will be held from 6:00-7:00 pm on Thursday, April 5, in Conference Room 1.  This month’s theme is comedy, so come prepared for laughs.

Interested in learning more about these or other Joplin Public Library services for teens?  Contact me at the Teen Department, 417-623-7953, ext. 1027.  Happy reading and have fun storming the castle!

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March Book OneMarch Book TwoMarch Book Three

Of all the treasures in the Smithsonian, the exhibit that sticks with me the most is a pair of petite, scuffed, rundown, women’s loafers worn during the 1965 civil rights march from Selma to Montgomery, Alabama.  I found the shoes in a distant corner on the upper floor of the National Museum of American History, tucked safely in a display case with photographs and posters from the trek.  The case had been relocated due to renovations elsewhere in the museum, and I was lucky to run across it.  Those shoes mesmerized me.  They had been worn for all 54 miles of the march and showed it.  I can only imagine what it had been like to wear them.

I am equally mesmerized by March: Books 1-3, the graphic novel trio by John Lewis with Andrew Aydin and art by Nate Powell.  John Lewis, currently a U.S. Representative from Georgia, has spent his life in the civil rights movement.  As a young man, he chaired the Student Nonviolent Coordinating Committee (SNCC), a key group in the movement.  He organized sit-ins to desegregate lunch counters, participated in the Freedom Rides, helped organize the 1963 March on Washington, and helped lead the 1965 march from Selma to Montgomery.

March is Lewis’ memoir of his civil rights work in the 1950s-60s.  It’s an insider’s look at the movement from a less well-known perspective.  Lewis lays out the motivation for his actions and decisions as well as those of the movement’s student wing.  He provides insight into the internal politics of the various organizations behind the movement.  His descriptions and Nate Powell’s drawings reflect the brutality of the struggle for equality–humiliation, beatings, incarceration, bombings, torture, death.  March accurately reflects the times it depicts; as a result, it’s not always easy to look at or to read.

Lewis bookends the movement’s history with scenes from the first presidential inauguration of Barack Obama.  Book One opens with Lewis preparing for the event; as he stops by his Capitol Hill office, he meets a woman wanting her young sons to understand the significance of the day.  Lewis pauses to relate the history of the civil rights movement to her sons, and the story begins.  Although somewhat awkward as a narrative device–additional scenes with Lewis speaking to the woman appear to serve as transitions at different points in the books–the intensity and immediacy of the art and text make up for it.  Lewis anchors his experiences around the 1965 march from Selma to Montgomery, hence the title.  All 3 volumes echo the call of “We’ll march!”, building up to the Alabama trek’s successful conclusion at the end of Book Three.

Nate Powell’s drawings may only be in grayscale, but they make as much impact as full color.  He uses a mix of bold strokes and detailed shadings to convey a wide range of emotions.  He incorporates large swaths of black background (sometimes a majority of a two-page spread) to highlight text or fine drawings or grave subject matter.  Powell cleverly incorporates the sizable amount of text in his drawings without sacrificing space or emotional power.  He has a tremendous capacity to capture facial expression and body language, portraying with equal skill reflective thoughtfulness and intense hate demonstrated by both black and white figures.  The books have won multiple Eisner Awards (the graphic novel world’s equivalent of the Oscars) for a reason.

March: Books 1-3 is an intense, fascinating exploration of our nation’s recent history.  It’s a natural choice for graphic novel or memoir fans and history buffs.  It has plenty to offer a wider audience, however.  Give the first volume or all 3 to high school students and adults; the books are equally interesting as part of a broader discussion or enjoyed alone.  Be prepared to provide context for or an introduction to the civil rights movement for middle students who read March as it accurately portrays the events and language of the time.  Like that unassuming pair of shoes in the Smithsonian, Lewis’ memoir holds a powerful message.

 

Rebel MechanicsI found today’s title while searching for reading material for an upcoming book club gathering.  Book clubs offer an excuse to read for fun and so much more.  They are a great way to explore new reading territory and to add titles to your “To Be Read” stack.  Lists of suggested titles for book clubs are fantastic resources and easily found online or with the help of a librarian.

Rebel Mechanics: All is Fair in Love and Revolution by Shanna Swendson was a serendipitous find for me.  It has been a fun trip into alternative history, a fiction type which has been around for a long time but hasn’t shown up on my reading list that often.  Collins English Dictionary defines alternative history as “a genre of fiction in which the author speculates on how the course of history might have been altered if a particular historical event had had a different outcome”.  Many times alternative (or alternate) histories use a military history starting point—What if the Axis had won World War II?  What if the British had won the American Revolution?—and build the story around that.  Some alternative histories use pivotal historical events not tied to warfare as their foundations—What if Lincoln had not been assassinated?  What if the dinosaurs had not died out?

In Rebel Mechanics, Swendson imagines a different beginning to the U.S.; the back of the book jacket says it best, “What if British magic kept the American Revolution from ever occurring?”  The story takes place in 1888 New York City, a bustling metropolis where society is divided along class, economic, and magical lines as it is everywhere in the British colonies.  The British landed gentry possess magical powers and use them for economic prosperity and technological advancement which are denied everyone else.  Yet, revolution is afoot!  Masked bandits operate Robin Hood-style, stealing secret information and ill-gotten gains from the government in support of an underground resistance.  The resistance, known as the Rebel Mechanics, develops steam-powered technology to provide an alternative to magical oppression and to highlight the injustices of the gentry (dubbed magisters).

Enter Verity Newton, a seventeen-year-old daughter of a college professor embarking on a new life in the big city.  After an adventure-filled start to her tale (Train robbery!  Wild bus ride!  Police chase!), she is hired as a governess in one of the most powerful magister families in the colonies.  As she navigates the rarified world of the nobility and gets to know her charges, Verity makes friends with a lively group of non-magisters including Lizzie the firebrand and handsome science student Alec.  All is not as it seems, though.  Why do her new-found friends seem to turn up at just the right place and time?  Is her employer, entomologist Lord Henry Lyndon, really tracking beetles when he leaves the house?  Why does he return bruised and bloodied?  What goes on beneath the streets of New York?  Secrets abound!  Intrigue and danger lurk around the corner!

Shanna Swendson packs a lot into her book.  Rebel Mechanics is a treasure chest of action, adventure, espionage, magic, romance, politics, self-discovery, betrayal, science, class commentary, and steampunk atmosphere—and that’s the first half.  It’s a rollicking ride through Verity’s expanding world and the city’s expanding consciousness.  Swendson creates believable, interesting characters and places them in equally interesting situations.  She shows us New York from Verity’s point of view, and it’s easy to get caught up in the character’s feelings and interior monologue.  The author drives the plot with plenty of action yet includes enough reflection to develop her characters.  She sets the steampunk scene with descriptions of 1880s technology, sights, and sounds.  Sometimes I found myself wanting a bit more polish on the story—there’s a lot packed into it and in a handful of places she could have done a little bit more with what she had instead of squeezing in more.  All in all, Rebel Mechanics is a fun, light book—perfect for a study break or holiday binge reading.  Give this one to middle schoolers and high schoolers interested in steampunk settings, adventure stories, or gentle reads with chaste romance.

I can’t wait to chat about Rebel Mechanics at the next Teen Book Club gathering—Thursday, December 7, from 6:00-7:00 pm at the library.  Participants read a title of their choice based on the month’s theme; at the meeting, the group chats about their books then picks a theme for the next month.  Teens are welcome to bring a brown bag supper, if they like; the library supplies beverage and dessert.  This month we’re reading alternative history and serving hot chocolate with holiday treats.  Teen Book Club is free, open to grades 6-12; no registration necessary.  Questions about Teen Book Club or other library services for teens?  Call me at the library’s Teen Department, (417) 623-7953, extension 1027.  Happy reading!

As someone with a subterranean-level threshold of all things scary or grotesque (the sharks in Finding Nemo are about my limit), I still can’t believe I read To Stay Alive by Skila Brown.  This book is billed as historical fiction written for teens.  However, it is a compelling rendering of a real-life American horror story—the plight of the Donner Party.

The story of the Donner Party is one of harrowing survival and a fixture of American history.  This group of pioneers, led by George Donner and James Reed, consisted of multiple families and individuals traveling west to California from Missouri in the spring of 1846.  Delayed by multiple mishaps and unfortunate decisions (including an ill-conceived “shortcut”), they found themselves in the Sierra Nevada Mountains in mid-October, low on supplies and weakened by previous efforts crossing the Wasatch Mountains and the Great Salt Lake Desert.  The group, ill-prepared for surviving winter, was forced to hastily make camp when snow blocked the mountain pass.  Exposure, starvation, and illness heightened the nightmare.  A small detachment of the group set out in December 1846 attempting to cross the mountain and send back help; its remnants made it to safety on January 17, 1847.  The first rescue party made to the pioneers’ camp on February 18; the final person out of the camp made it to safety on April 29.  Only 48 of the approximately 90 members of the original group survived. Fewer than 100 miles from their target, many of them had to resort to cannibalism to live.

The Donner Party’s experience has fascinated and horrified audiences for over a century.  Skila Brown’s book To Stay Alive is an intriguing departure from past efforts to explore the topic.  It’s a novel in free-verse form, consisting of over 200 short poems, told from the point-of-view of 19-year-old Mary Ann Graves who made the trek.  Real-life pioneers, Mary Ann along with her parents and eight siblings left Illinois in April 1846; their hideous journey ended nearly a year later.  The poems describing Mary Ann’s experience blend narrative with inner reflection, their forms advancing the story while mirroring her emotions.  The book is divided into the four seasons of the journey, the final chapter jumping ahead to four months after Mary Ann’s life-changing hike over the mountain.

Brown’s verse doesn’t pull any punches when it comes to the subject matter.  She wields it like a camera, panning exterior and interior landscapes.  In places, it reads smoothly like the easy part of Mary Ann’s journey—text is almost like prose, and the character’s thoughts are fluid, sequential.  Further in, the economy of verse reflects the hardships faced by Mary Ann; here, words are spaced out to reflect the wide expanse of country or peppered with pauses the length of a hard swallow while crossing the desert or tumbled about the page mimicking the bump wagon ride.  Brown’s sparse poetry conjures up the horrors experienced by the Donner Party without resorting to sensationalism.  Reading the poems depicting Mary Ann suffering from starvation and exposure, the desperation is vivid and the terrible solution becomes apparent.  It begs the question, “What would you do to survive?”

As the author notes, “Historical fiction requires a careful balance of real and embellished, a base of facts with a sprinkling of supposition and imagination”. Skila Brown has done her research.  Her details are spot on whether describing the pioneer experience in general or situations specific to the Graves family.  In addition to the story, the author offers some helpful resources.  An epilogue adds a postscript of Mary Ann’s life.  An author’s note summarizes the events befalling the Donner Party, analyzes the literal and metaphorical wrong turns they took, and offers multiple perspectives on the consequences of manifest destiny.  Here, the author relates what drew her to this story and why she believes it relevant over 100 years later.  An easy-to-read map shows the group’s path compared to the routes traditionally taken by pioneers.  The author also provides a photograph of Mary Ann Graves and a list of the entire Donner Party, noting deaths and survivors.

While a departure from the usual fare of historical fiction, To Stay Alive has a great deal to offer.  It doesn’t give up its gifts easily though.  The topic is difficult—it’s not for everyone.  And, although this one is much more accessible than most, novels in verse may require more effort from readers than narrative prose.  Move past these challenges, and the rewards are apparent—powerful messages of perseverance in the face of overwhelming circumstances, survival amidst suffering, heart-breaking sacrifice.  To Stay Alive is a great choice for mature secondary students and lends itself more to discussion than pleasure reading.  Beyond that, give this one to teens who are hardcore fans of historical fiction, have the patience to follow a narrative in free-form verse, and can handle the subject matter.

“Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car…Maybe, I could do the same thing with my music.  Create a place where a kid off the street could walk in one door, an unknown…and come out another door, a star.”          –Berry Gordy, Jr., Motown founder

After seeing this quote from Berry Gordy, Jr., I couldn’t resist the chance to read Andrea Davis Pinkney’s book Rhythm Ride: A Road Trip Through the Motown Sound.  It’s a nice introduction to the story behind one of America’s iconic record labels and an interesting contribution to non-fiction written for teens.

Rhythm Ride provides an overview of Berry Gordy, Jr.’s career from his roots in an entrepreneurial family in Detroit through the height of Motown’s success to his relocation to the West Coast and the sale of the company.  The book digs into the history of Motown Records beginning with Gordy’s desire to bring African American music to the forefront of American culture.  The author explores Gordy’s influences and how he, in turn, influenced a wide variety of artists.  She details the early years of Motown with its nurturing, family atmosphere when a teenager could literally answer the phones then turn right around to become one of its hit-makers. (Martha Reeves!)

While she takes her readers behind the scenes at Motown, Angela Davis Pinkney doesn’t delve into gossip.  Instead, she summarizes prevailing opinions just enough to show how public opinion and employee perceptions led to artists departing the record company.  Despite her generally positive approach to Gordy, she isn’t afraid to point out when his judgment or actions weren’t in Motown’s best interest.  She also puts the label’s story into context by relating it to events of the time such as the Civil Rights Movement and the Vietnam War.  Rhythm Ride lures readers with the 1960s vibe of its cover and offers a variety of vintage, black and white photographs inside its pages.  An informative timeline and discography round out its resources.

For the most part, Rhythm Ride is written as an accessible introduction to a pivotal time in America’s cultural history.  The author, however, adds an unexpected layer to her researched text.  The first chapter introduces an imaginary narrator named The Groove who proceeds to address the reader throughout the book, acting as a transition between chapters and offering commentary on historical events, on the premise that it and the reader are on a road trip together through music history.  The effect can be disconcerting as the book vacillates between approaches, and it could make or break the book for some readers.  Those who enjoy this extra voice will enjoy the whole package.  Those who are able to look past this technique will find an interesting, readable book.

Whether you appreciate the author’s approach or not, Rhythm Ride offers a solid history of Motown Records as well as a glimpse into a pivotal time in American history.  Offer this title to teens who are deeply interested in pop music history or the 1960s and ‘70s.  Or, read it yourself while enjoying the Motown sound.  It’s a great excuse to enjoy some amazing music!

a-study-in-charlotte

     Are you Sherlocked?  The new season of the PBS show, Sherlock, has sent me down a Holmes and Watson rabbit hole.  Luckily, the popularity of the television shows Sherlock and Elementary on CBS along with the recent films starring Robert Downey, Jr., have inspired a rash of titles featuring the classic characters.  I’ve found radio plays, comics, stories imagining Holmes solving crimes without Watson or the other way ‘round, tales riffing on the original canon by Sir Arthur Conan Doyle, books attempting to tie Holmes to Jack the Ripper or the assassination of John F. Kennedy, a series depicting Sherlock in middle school, novellas featuring Sherlock’s brother Mycroft, adventures of Sherlock’s purported vampire twin, retellings from the perspective of Professor Moriarty, countless puzzle books, numerous “how to” titles for the art of deduction, and—believe it or not—a board book for infants entitled Little Master Conan Doyle, Sherlock Holmes in the Hound of the Baskervilles: A BabyLit Sounds Primer.   (On a side note, the last entry is part of a board book series that includes baby versions of Moby Dick and Anna Karenina in addition to the Pride and Prejudice parody, Goodnight, Mr. Darcy.)

     An interesting newcomer to the mountain of Holmes titles is last year’s A Study in Charlotte by Brittany Cavallaro.  I wholeheartedly agree with the book’s tagline, “You’ve never seen Watson and Holmes like this before.”  Jamie Watson and Charlotte Holmes are 21st-century descendants of John and Sherlock—both Londoners dropped into an upper-crust Connecticut boarding school for reasons I cannot relate due to massive spoilers.  (Not surprisingly, there is a fair amount of this plot I cannot reveal due to spoilers, massive or moderate.)  Watson and Holmes are atypical teens leading atypical lives trying to balance homework assignments, dances, and rugby practices with extortion, kidnapping, and murder.

     James “Jamie” Watson meets Charlotte Holmes at Sherringford, the posh school he attends on a rugby scholarship.  Jamie secretly wants to be a writer, an aspiration he cultivates out of the public eye as he navigates his new surroundings.  He has grown up in the U.S. and, most recently, London which he misses desperately.  Jamie’s estranged father and his new family live only an hour away, another sore point.  Charlotte, as you can imagine, has been busy with other activities.  Her upbringing reflects the family business—training in observation, deduction, the sciences (yes, all the sciences) sprinkled with lessons in lock picking, computer hacking, and wiretapping.  Jamie first spies Charlotte at the weekly poker game she runs in her dormitory’s basement.  A few days later, they officially meet and have the awkward conversation about their ancestors; a few weeks later, they are becoming crime solving colleagues bonding over clues in Charlotte’s personal laboratory.  By the end of the semester, they are fighting for each others’ lives.

     This book is really about relationships—between Charlotte and Jamie, Charlotte and her family, Jamie and his family, Charlotte and her past, the main characters and the school, Charlotte and…wait a minute, can’t tell you that one another spoiler (a HUGE one, trust me).  Certainly there is plenty of action-filled plot; by finals week, this Holmes and Watson duo unravel the mystery behind an assault, a poisoning, a deadly snake, eerie recreations of the original Holmes stories, an attempted murder, blackmail, clandestine surveillance, and a school-shuttering explosion.  This doesn’t even count the roller coaster ride occurring in the last few chapters of the book!

     Brittany Cavallaro successfully translates the spirit of the original Sherlock Holmes stories for a current audience.  Her main characters are interesting, three-dimensional blends of wit, intelligence, generosity, loneliness, adventure, and heart.  Her secondary characters are fleshed out as needed for the story, appearing when needed to further the plot then receding into the background until their next task; they aren’t necessarily flat or uninteresting just not as rounded as Holmes and Watson throughout the book.  Instead of directly translating Arthur Conan Doyle’s stories point by point into Sherringford, Cavallaro blends elements from several of them to create her mystery.  Some elements are more obvious—an exasperated-yet-grudgingly-respectful detective, Mycroft Holmes becomes Charlotte’s brother Milo, Jamie’s solicitous dorm mother, a murder weapon purposefully copied from The Blue Carbuncle (among others).  Charlotte displays the distinctive personality traits of the original Holmes, including an opiate habit which sets up one of the most moving scenes in the book—Jamie nursing Charlotte through an overdose attempt and its aftermath.

     A Study in Charlotte is an entertaining romp of adventure and mystery (with a dash of romance) that incorporates realistic situations and a serious topic or two along the way.  It’s a fun read, well-suited to high schoolers and teen lit. lovers looking for a quick book.  Due to some mature language and topics, it may not be to everyone’s taste.  You can find this book (and a variety of others) in the Teen Department of the Joplin Public Library.  Hope to see you soon!

studs-terkel-chicagothe-world-series-curse

One of the things I love about libraries is their propensity for serendipity.  There’s just something marvelous about browsing the shelves and running across an unexpected delight or clicking links in the electronic catalog and falling down a rabbit hole of an interesting tidbits only to climb out and tumble into another one.  That’s exactly what happened when I ran across this week’s titles.

By the time this review appears in the paper, autumn will have truly arrived and the 2016 World Series will have receded behind other headlines.  Even so, the Cubs’ victory remains memorable, and the entire series offered some outstanding baseball.  I was riding the wave of excitement after Game 7 when I started combing the library’s catalog for books about baseball, curses, Cleveland, and Chicago.  Forty-five minutes later I climbed out of the rabbit hole with two widely different reads tied together by happenstance.

First item up to bat is The World Series Curse by David A. Kelly which popped up while looking at books about baseball curses and the Cubs.  Written for children, The World Series Curse is the first in a spinoff series of baseball mysteries featuring major league teams and their stadiums.  Cousins Kate and Mike are baseball fans and accidental, amateur detectives—the perfect mix for sniffing out and solving predicaments at the ballpark.  Here they find themselves in the midst of a potential scandal affecting the outcome of a hotly contested World Series between the Cubs and the Red Sox.  Cubs players have been accused of cheating on the road and at home, including corking a bat.  Kate and Mike happen to know the right people and be in the right place at the right time to solve the mystery and prove the Cubs’ fair play.  Throw in lively illustrations, a bitter sportswriter, and a red herring disguised as a goat, and you have an interesting, light read for elementary-age readers.  Give this one to reluctant readers who enjoy sports stories or to mystery fans seeking a less-than-intense book.

Second in the lineup is a book by one of my favorite authors, Studs Terkel.  A true son of Chicago, Terkel spent the bulk of his life and his career immersed in the city.  Although known for his radio interviews and oral histories, Terkel’s own voice is front-and-center in this title.  Studs Terkel’s Chicago (a no-nonsense name reflecting a no-nonsense author) is a love letter to his hometown.  It’s a loose, almost sloppy love letter though—more stream-of-consciousness conversation or storytelling than formal declaration.  That’s part of its charm.  Terkel travels his own path through the streets of Chicago, linking historical events and figures, personalities from the varied neighborhoods, and vignettes from his youth.  He strings together these gems as he meanders through the physical landscape and his mental path.  Terkel’s voice is all but literally present—if you’ve ever heard an interview with him, you can hear his gravelly voice as you read the book.  In fact, it would be just as good or better as an audiobook; the downside would be the loss of the fantastic black and white photographs depicting life on the streets of Chicago.  Studs Terkel’s Chicago is a fantastic journey through one man’s experience with one of the great cities of the world.  It’s charming and gritty and delightful, but it’s not the easiest read out there.  If you are unfamiliar with Studs Terkel or passingly familiar with his well-known works, this is not the place to get acquainted.  Try one of his books of oral histories first—the library has several.

Both of the books I’ve mentioned happen to be available in electronic book format from the library’s Overdrive service.  You can access hundreds of e-books and electronic audio books at no extra charge with a Joplin Public Library card.  Overdrive is available on home computers or as an app for cell phones, tablets, and other electronic devices.  These electronic titles can be checked out and put on hold just like physical versions although borrowing times may differ.  The titles disappear when they are due, so there aren’t any overdue fines.  The Overdrive app also includes features which help ease eye fatigue while reading on a screen.  If you would like to know more about Overdrive and how to access it, stop by or call the library at (417) 623-7953.  Our staff at the Reference, Children’s, and Teen Departments are happy to answer questions about Overdrive or to help you use this handy resource.  Give it a try!